{"id":10214,"date":"2013-09-09T18:48:54","date_gmt":"2013-09-09T17:48:54","guid":{"rendered":"http:\/\/barreiroweb.eu\/?p=10214"},"modified":"2013-09-09T18:48:54","modified_gmt":"2013-09-09T17:48:54","slug":"o-pelicano","status":"publish","type":"post","link":"https:\/\/arquivo.barreiroweb.net\/?p=10214","title":{"rendered":"O PELICANO"},"content":{"rendered":"

\"00000006_0001_t\"<\/a>De August Strindberg<\/b> \/\/ Encena\u00e7\u00e3o de Rog\u00e9rio de Carvalho<\/b><\/p>\n

A cria\u00e7\u00e3o de O pelicano<\/i> para a Companhia de Teatro de Almada representa para o encenador e reconhecido pedagogo Rog\u00e9rio de Carvalho<\/b> (n. 1954) um duplo regresso: a um autor que abordou na sua primeira colabora\u00e7\u00e3o com a CTA (em 1986, quando montou A menina J\u00falia<\/i>) e ao tema que tem prevalecido nas suas escolhas de encena\u00e7\u00e3o: o das rela\u00e7\u00f5es familiares como espelho das rela\u00e7\u00f5es sociais. Foi cumprindo essa transposi\u00e7\u00e3o program\u00e1tica que o tem interessado (e que a realidade ocultamente replica), que encenou anteriormente para a CTA as pe\u00e7as As tr\u00eas irm\u00e3s<\/i>, de Tchecov; Fedra<\/i>, de Racine; Tio V\u00e2nia<\/i>, de Howard Barker; ou O luto vai bem com Electra<\/i>, de Eugene O\u2019Neill.<\/p>\n

Trag\u00e9dia de c\u00e2mara, em O pelicano<\/i> \u201cStrindberg abala os alicerces do valor da vida, fazendo emergir a ilha da morte, nos confins do oceano de humilha\u00e7\u00e3o e mentira\u201d (nas palavras de Gast\u00e3o Cruz, o tradutor do texto) que aqui constituem os traumas e as tens\u00f5es do passado. Fazendo parte do grupo restrito de grandes escritores para quem a vida e a obra s\u00e3o uma e a mesma coisa, August Strindberg<\/b> (1849\u20131912) fez de quase tudo o que escreveu uma confiss\u00e3o autobiogr\u00e1fica. <\/i>O pelicano<\/i> estreou em 1907 na inaugura\u00e7\u00e3o do seu Teatro \u00cdntimo \u2013 a pequena sala experimental de Estocolmo que o dramaturgo fundou nos \u00faltimos anos da sua vida, para a\u00ed fazer o seu teatro de texto, desligado do artif\u00edcio, significante e carregado da intencionalidade dram\u00e1tica que define o teatro de Arte.<\/p>\n

Int\u00e9rpretes Joana Francampos, Maria Frade, Pedro Lima, Pedro Walter e Teresa Gafeira<\/b>
\nTradu\u00e7\u00e3o Gast\u00e3o Cruz<\/b>
\nCen\u00e1rio Jos\u00e9 Manuel Castanheira<\/b>
\nFigurinos Mariana S\u00e1 Nogueira<\/b>
\nDesenho de Luz Jos\u00e9 Carlos Nascimento<\/b>
\nCaracteriza\u00e7\u00e3o Sano de Perpessac<\/b>
\nVoz e elocu\u00e7\u00e3o Lu\u00eds Madureira<\/b><\/p>\n

SALA PRINCIPAL<\/b><\/i>
\nde 14 de <\/b>SETEMBRO<\/b> a 6 de OUTUBRO<\/b>
\nde QUI a S\u00c0B \u00e0s 21H30, DOM \u00e0s 16H00<\/b>
\nDura\u00e7\u00e3o: 1H30
\nM\/12<\/p>\n","protected":false},"excerpt":{"rendered":"

De August Strindberg \/\/ Encena\u00e7\u00e3o de Rog\u00e9rio de Carvalho A cria\u00e7\u00e3o de O pelicano para a Companhia de Teatro de Almada representa para o encenador e reconhecido pedagogo Rog\u00e9rio de Carvalho (n. 1954) um duplo regresso: a um autor que abordou na sua primeira colabora\u00e7\u00e3o com a CTA (em 1986, quando montou A menina J\u00falia) […]<\/p>\n","protected":false},"author":1,"featured_media":10215,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32,10],"tags":[156,745],"class_list":["post-10214","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-destaque","category-teatro","tag-almada","tag-teatro","last_archivepost"],"yoast_head":"\nO PELICANO - barreiroweb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arquivo.barreiroweb.net\/?p=10214\" \/>\n<meta property=\"og:locale\" content=\"pt_PT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"O PELICANO - 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